STUDENTS TURN OUT HAND-MADE PAPER AT UO STUDIO

May 29, 2001

Contact Pauline Austin (541) 346-3129


EUGENE–Working in the tight confines of a small studio at the University of Oregon, Don Voss feeds chunks of linen fiber into a Hollander beater, a contraption vaguely reminiscent of your great-grandmother’s washing machine. A few yards away, Tracy Castagna uses a specially designed mold to dip milky looking pulp from a huge vat.

These UO students are up to their elbows in pulp as part of associate art professor Margaret Prentice’s studio on papermaking. Along with two dozen classmates, they’re learning to make their own paper–not the kind you can buy from your local stationer, but the kind you have to special order from one of the handful of American artisans who still make paper by hand.

Prentice, recognized as one of the nation’s premier experts on hand-made paper, is sharing her art with the students who enrolled in this new class offered by the UO Department of Art.

Prentice, along with her twin sister Kathryn Clark and their husbands, helped establish the Twinrocker Handpaper Mill, now known around the world for its production of quality paper. Prentice coordinates the printmaking area and teaches all of the UO classes in intaglio and relief printmaking.

"I always wanted to teach paper making at the UO," she says, "but until this year we just didn’t have the equipment."

The Hollander beater–along with some specially made vats, hand paper molds and a paper dryer–make up the tools needed to make an almost limitless variety of hand-made paper. With the acquisition of these key tools, Prentice this year was able to launch the paper making class.

Students in the class learn the traditional Western method of making paper, the traditional Japanese method, and how to cast paper into three-dimensional forms.

"I feel strongly about paper as an art medium and how adaptable it is," Prentice says. "These students are getting an intensive course in the technical aspects of paper making. At the end of the term, they will be prepared to go to any class in the art department. They will be able to use hand made paper in the context of that course, whether or not the professor knows how to make paper."

Prentice is gratified that students like Voss, who wants to create unique journals; Castagna, a photographer; and Karen Lamb, a lithographer; signed up for the course.

"When we taught ourselves to make paper 40 years ago, making paper by hand was a dying craft in the United States," says Prentice. "I don’t want to see that happen again."

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